Baker's Dozen : A Pinhole Dialogue by Amy Rockett-Todd

What began as a trek through the woods towards Fairy Beach, with canned chairs atop the heads of her children, fusing the paths of two wellie-wearing women … Amy Rockett-Todd met Antonia Small on that rocky beach the summer of 2012.  As Jack, Antonia’s jack Russell, perched himself atop a nearby rock, the two discovered they were both ‘pinholers’.

 A chance meeting on a quiet empty slip of land, a stone's throw from Andrew Wyeth's childhood home "Eight Bells" ... on this beach which isn't even visible at high tide, the two found themselves stepping into a visual pinhole dialogue that would span almost 2000 miles and 13 months.

They began in April 2013, on Worldwide Pinhole Day, with their wooden Zero Image Cameras with 120 roll-film, shooting images specific to their own artistic visions as well as the contrasts of their varied regions – the flatlands of Oklahoma and the rugged coast of Maine.  Each image from both artists includes a backstory, a personal account of the experiences of discovery and image capture.  These backstories can be found alongside all 26 exhibition images within their 90 page book titled Baker’s Dozen : A Pinhole Dialogue, and can be purchased at TAC Gallery (9 E MB Brady, Tulsa OK) during the exhibition (April 1-30, 2016) or online at Blurb.com here:   



What exactly is Pinhole Photography? … Pinhole photography is lensless photography. A tiny hole replaces the lens. As light passes through the hole; an image is formed onto film emulsion in the camera.

The Story Behind "Tower" ... by Amy Rockett-Todd

"Tower" ferrotype mosaic assemblage.  MANUS portfolio.  Amy Rockett-Todd 2014.

"Tower" ferrotype mosaic assemblage.  MANUS portfolio.  Amy Rockett-Todd 2014.

"Tower" (detail).  Amy Rockett-Todd 2014.

"Tower" (detail).  Amy Rockett-Todd 2014.

My design and architecture background helps guide my artistic endeavors, which led to this new work, MANUS, combining art, architecture and photography.  With the creation of each piece, I am inspired by historic buildings in Tulsa, Oklahoma. 

The Tower piece is based off of Frank Lloyd Wright’s Price Tower in Bartlesville, OK.  There are 8 image sections symbolic of the 8 residential balcony levels within this building.  The images are adhered to a 30.60.90-degree triangular substrate.  The angle degrees match the angle degrees used within the Tower’s structure, as all angles within the building are either 30.60. or 90 degree angles.  The 8 (4x5) ferrotype images on the right of the piece are abstracted images taken digitally directly from the exterior of the site, then printed onto OHP film and exposed via the wet plate collodion process in the darkroom.  The 8 ferrotype images on the left of the piece are abstracted ginkgo leaf images, symbolic of Frank Lloyd Wright’s beloved ginkgo tree.  He had his home and studio originally built around his beloved ginkgo tree.  This piece stands roughly 4 feet tall and includes 16 one-of-a-kind ferrotype images.  The ginkgo images have all been hand-tinted with archival pastels in oranges, yellows, and blues, and have been varnished with a sandarac lavender oil varnish, as all of my collodion images are sealed with this protective varnish layer. 

Most of the architecture-based pieces in the MANUS portfolio are directly born from a building's design.  It's aesthetics and structure is reflected in the way each art piece is photographed, designed, and created.